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是枝裕和的处女作，还有具有艺术气质与功力的。拥有捕捉梦幻的灵气，镜头处理上可见是小津和侯孝贤的合体，内景戏一如小津，视角的注视一如侯孝贤。散点的叙事，情绪化的铺成，太美了。

前半段看完觉得什么鬼除了长镜头噱头一无是处，后半段超级变变变式拍摄解码让整部影片成了爆笑佳作，片尾的现场花絮又能将观众的情绪升华至对剧组创作精神的感动。蓄意的乱来、真诚的自嘲与严肃的热爱层层递进，感觉当下也只有日本人能拍出这样的电影。

In the DVD commentary, director Robert Altman states he included the F-word several times on purpose to get an R-rating because he didn't want kids to see the film - he thinks kids wouldn't like the film so he wanted to keep them out .

节奏有点慢啊，感觉一季都没讲什么内容

这是一部让人思考的电影