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悲哀是真的，人倒像是假的。同事友情，小三恋情，纯真得把原配衬的像是革命战友。好像也没毛病，婚姻就是一场大战……加东大介和笠智众，一个充满喜感一个像寺庙佛像。

前面太无厘头了，后面终于进入状态开始吸引人了。At beginning, the hero found himself to be a loser after he accidently knew that his wife has an affair with his boss, then he became a desperate man with nothing to lose and got involved in a series of radiculous events including robbing his own firm as a revenge to his boss. However, he got survived from the hell when he knew that the affair was not true and his wife still loved him, then he needed to get his life back to normal. The feeling is so subtle that it rules your life completely. Your status being in paradise or hell depends on your feeling, of course a rational feeling. I am master of fate and ruler of destiny, from the black man.

怎港...看完了让人觉得人生はこんなもんじゃないの...就小市民【サラリーマン】的日子无非就是这样吧...上班的日子苦得看不到头，只有出轨搞搞搞才让人have something to live for【不管是杉正还是片里的其他男人，大家都一样】...里面五十年代的东京景观我好熟悉啊！现在下町的很多地方还有那个时代的影子【港真，我以后可没有心情天天提防着出轨...不行就算了呗这样】

相比于2 这部的格局又缩小至监狱迷宫格局 蕾普莉跟囚犯一起围捕异形牛的场面甚是欢快

小津鲜少采用的主题，关于工薪阶级的日复一日的生与倏忽而至的死，机械的工作，贫乏的工资，冷漠的公司，而人与人之间的关系却是真切生动的。作为主角的夫妻，经历过厌倦与疏离、道歉与和解，最后还是一起看着火车驶向远方——“经历过更多的曲折才能够做成真正的夫妻”。即使涉及如此之多的人类情感，小津的镜头与表达仍然节制而豁达，平淡中有着真味。能在闲暇的下午平静地看完一部小津的电影，仿佛在影像中度过了大半生，真是幸福。