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4.5; Never before have I seen a zombie film with so many layers. The symbolic meaning of the infection is announced from the very beginning through footage and words to be 'rage', and the violence induced by it henceforward becomes the centre of the film's criticism. But what adds to the film's complexity is the fact that the protagonist is empowered only by rage to fight for those he loves and defeat the purposeless soldiers, who by contrast fight for nothing but themselves. The film thus indicates a place for violence in humanity and hints that violence is not inherently the abject. It also draws a comparison between two archetypes of fatherhood: permissive & autocratic

奶奶可以认出来自未来的孙子，静香能够分辨来自过去的大雄。无论用时光机调到何时，用任意门去往何地，那个胆小的自己总是被人疼爱。无论用交换绳获得什么，用遗忘棒失去哪些，最珍贵的都是那些发光的回忆。酒酣耳热，全自动驾驶的汽车可以带精东传媒入口回家，却再也回不去那个有奶奶有伙伴有哆啦A梦的童年。

平淡无奇，浪费时间，整部电影没有一点“人”气。

…………此生不愿再听到一些定语从句

丧尸片里边，可以值得一看的已经不多了。