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发现自己口味变怪了 真的有虐恋

Barton Byg, for instance, acknowledges that Die bleierne Zeit “constructs a powerful cinematic evocation of a land burdened by its past,” but he claims that the film’s power comes from “the acceptance of mass culture as a language or sign-system into which neither the critic nor the artist can intervene from the outside. They accept the film industry as it is rather than propose a radical alternative.”//Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:385

生活啊生活，美好的肉体与自由的灵魂。而我困在上海的出租屋里，正为买不到酸奶而发愁，为又一天的囚禁而发愁，为浪费这大好春光而叹息。

中产阶级的琐碎和焦虑。80年的电影，现在看，节奏太慢，接近于文艺小说的节奏。同样说中产阶级的焦虑，似乎《美国美人》的节奏感更好。不过，几个主演很出色，儿子演得尤其好。

再次证明 美剧 我真的最多只能看一季