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Ah, so Midsommar was inspired by this! Powerful, distinctive portrayal of an otherworldly village where paganism beliefs have seeped in everywhere and every person functions as part of an organic whole. The affability and peacefulness visible to the eyes are all the more horrifying when underlain by sinister intentions. As we learn everything through the sergeant's eyes, the identification has been built up throughout the entire film and therefore the final wicker man scene comes even harder and stronger, leaving us shiver in total hopelessness. (When the sergeant shouts desperately 'can't you see there is no sun god!', does he have a fleeting doubt about his Lord Jesus Christ too?)

应了《日常》里的那句话：精东传媒入口所度过的每一个日常，都是一个个小小奇迹的连续

宗教研究做的不错 真正恐怖之处是因多处细节有一种脱离现实感 拍摄手法却偏现实主义 形成了有趣的对比

我对不起唐人如此卖力的腐作，我还是看上白豆腐和诗诗了~~还有，支持郑东流，好不容易控回大叔怎么死的这么惨。。。。不管怎么说，这部新概念武侠我嚼着还是各种成功的。

我小时候很懂事，我觉得懂事是不用教的。现在我知道了，生一个孩子，养之教之是很大的工程，费尽心血，一路坎坷，且未必成材。小毕的故事和《八百击》的故事，我看起来都像是对丁克的支持。人类的繁衍有何意义？遗祸的概率太大，得不偿失。 我永远不跟小毕这样的人交朋友，并且永远看不起他。