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太难看了太难看了。不讲立意设定等软伤，只说三个角色上的不适：1⃣️人物之间非常没有家庭感，丈夫被袭击/妻子被抓走/母亲独自下地库，一家人的身体反应是淡定地站在原地/坐在沙发上不动/等在车里2⃣️角色没有恐惧感，从容，表现害怕全靠瞪眼3⃣️红衣人目的不明，往往刺杀主角到一半，就优雅走开，直到被对方反杀。？？？？？

在故乡拍的电影，从剧情到布景都像极了自己家的事。一个美国华裔拍出了这般亲切的场景，还是非常惊喜。11/22 @ 国金百丽宫

不太纯粹的黑人版《小鬼当家》（《宝贝智多星》），再混杂一些晦涩的当下美国社会与种族问题反思。当作类型片来看还行，可惜已没有处女作《逃出绝命镇》的惊艳了。

Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.

出电影院迎面走来任何人我都抖三抖……