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作为一个喜剧片，它无疑是成功的，演员的每一句台词，每一个动作，我都笑了。 我说我看了三遍有人信吗？☺

“自由的手永远是不干净的。” 戈的电影越来越像行为艺术，声画分离，照片、海报的拼接，打破电影和现实，日常与形式感的对比。 一群享受着布尔乔亚式生活的青年人谈论反资产阶级的样子真是好笑又动容，年轻就是热情和盲目。

Shame on all of you

The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière

听说毕导对2.2不满意告豆瓣去了，不能再同意，这剧不能比0分多了