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2019 年圣诞节推出新版，无疑是相当适合节日的家庭电影。回看这些剧照，想到即将会看到薇诺娜和贝尔的角色将由罗南和甜茶来演，心中感慨电影艺术的张力与展现力。四个演员戏路都各有千秋，又都是我很喜欢的演员。与大多数小说改编剧本的作品一样，我所期待的无非是从演绎的角色中探寻自己从文字间勾勒出的人物。就像用画笔在一张现有的画作上做细节描绘，它与文字世界的展现也许有相当的差距，抑或是交集颇多，不能完全说是映像的呈现，而是从别人的眼睛看着部作品。《小妇人》对现在大灶的女权主义意义非凡，关于成长、自由意志、话语权、选择权，在南北战争与文艺变革的背景下尤其凸显。怪不得每次的阵容都强大的可怕。

有些画面美得就像油画，即使里面的人物正痛苦不堪……

看过几遍，以前不喜欢演Jo的，后来才知道她就是惊情和爱德华的女主角...

现实和回忆和幻想，过去和现在全都交织在一起。 那些抓不住的无能为力的思念差点让我不能呼吸。 放大的木地板的咯吱声，烟灰燃烧的声音。还有钢琴。都是五星。

It may be luckiest to live with such a wonderful mum as in this movie, where she took care of her girls tremendously well. This mum was protecting, guiding and comforting those lovely girls so that they can grow up as they wish. Four girls were different from each other. Meg was nice, Joe wild, Bath kind and Amy realistic and jealous. This little Amy may know what she wanted well when she was a little girl. She can burn Joe's manuscripts just for a ticket and I even thought she fell into water deliberately somehow to draw attention from Laure. Joe was so vivid and so lucky to meet her soul mate finally, both of them were hopeless perfectionism.