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Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.

看完红色，战长沙，最后撸完北平，高分国产剧几乎补齐了

果然乔丹·皮尔参与了剧本，我说这黑人受迫害主题怎么有逃出绝命镇那味儿，但整体被困在了向白人复仇的情节里，恐怖感反倒被削弱，其实有几场戏拍得还不错，运用镜子映射出男主与糖果人的身份重叠，美术馆切开幕布像是撕碎资产阶级虚伪生活，后面剧情有些乱，精简些会好看点儿。

孔导演真是矫情啊。男主角演戏连话都说不清，演技还不如学表演的学生细腻。剧情就像打散的生面条一样乱乱的交叉在一起，剧情无聊毫无起伏。为了这个啥本事啥能耐都没有的男主光圈也是拼了。扯腐败20集都讲不清楚故事