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Barton Byg, for instance, acknowledges that Die bleierne Zeit “constructs a powerful cinematic evocation of a land burdened by its past,” but he claims that the film’s power comes from “the acceptance of mass culture as a language or sign-system into which neither the critic nor the artist can intervene from the outside. They accept the film industry as it is rather than propose a radical alternative.”//Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:385

剧情演出视觉效果适合聚众醉酒观看 倒是认真讲屁话的荒谬感我清醒时也很喜欢 酒后给出五颗星

相比第一部，情节有点奇奇怪怪，搞不清楚。

奇奇怪怪的择偶标准，看似不看脸，实际上还是用条条框框去限制自己了。作秀痕迹很重，跟之前的《中国式相亲》一个套路，张国立主持能力不错哦，跟大家一起看很乐呵，不敢给差评，毕竟我看得笑哈哈。

#2022德国电影大师展#