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奈飞投资的“电影节电影”，白左思潮和资本对印度女权电影的价值观的双重强奸，这也是所谓第三第四波女权运动的通病，印度女权的阻力在于印度社会生产关系的严重滞后与宗教陋习的层层压迫，在于女性的生命安全都得不到保障，这是第三世界女权真正面临的问题，而不是性解放和穿衣自由或什么老人婚恋自由这种浮于表面的白左刻板印象。近年可以看出西方在逐渐渗透北印度的宝莱坞，对印度女性现状的简单和粗暴的解构扭曲可谓别有用心。希望印度现状的女权电影能展现女性摆脱传统和家庭束缚，参与到引导生产，祝印度女性早日实现身体和人格的独立自由。

三月初去影院看了一次，只能说真的懂情怀党的感受了。。。

双黑是亮点，男主依然什么都不干只会逼逼啊

3.5 Somebody please restore this. It's a poetry film that combines real life documentary of filmmaker's hometown after the independence, with scene reconstructions of: women's recollection of the war and their roles (feeding the guerillas etc), folktales, imagery metaphor or pure stream of consciousness sequences. It's the first Lebanese film directed by a woman and it's already a daring experimental work showcasing the magic of cinema in not only preserving, but recreating memories.

頭四集真的很讓人著迷，回歸正篇反而不太習慣。正篇打鬥已經比上一季打得更激烈更大場面了，越發龍珠，但也越發無趣。