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一部温柔的反西部片，暂时今年新片最爱了。凯莉·莱卡特实越来越娴熟了，故事不紧不慢，有浪漫也有伤感。剧情本身并不是特别复杂，却因为她一贯的写实处理方式，而更增加了些生活的味道，如回到那个年代。看外媒也不断cue《花村》，在视觉风格上，确实有些许相似。一个即残酷又温柔的故事，尤其那个结尾，很有余味。真的是很舒服的一部电影，也是今年比较少见的佳作。

Epitome of the mainstream action-comedy Hollywoodia flick. It’s a succession of clicheys and cool jokes, combined in the most formulaic package, completed with the “love is the answer” happy ending, the occasional though useless sexposing, the bloodless violence & action and suspense simulacrum. In it everything is objectified and reduced to a commodified version of reality: flight hostesses are walking tits, radio hosts are hysterical Black queens, villains speak in British accents, Moms are depressive-possessive nagging bitches, half-naked Hawaiians make the welcoming hotel staff, flying food trucks are run by old Asians and the list goes on... Story is laughably weak too.

4/10 好烂的片子 养大仇人的女儿让她继承被自己囚禁三十年的仇人😅

爱这部片 虽然老师说这是部crappy片

为了李宜缜去看的，但是被忙内圈了粉，题材我觉得还蛮不错的，就是不知道节目组在剪些什么鬼。