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Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.

范海辛自己放了德古拉，现在又要消灭德古拉了？这剧情还能再牵强点吗。。。德古拉和哈克有多喜欢米娜没看出来，倒是露西喜欢米娜表现的很明显。。。

go ahead my love.

你的眼睛为你加分不少呦~~小德同学~~帅气~~

有几个镜头是小男孩坐火车看到窗外的坦克一辆辆开过，就想起我送男友坐大巴去布达佩斯机场的路上，飞速闪过窗前的一个坦克停车场。仅仅那一次，后来再也找不到了，像一个幻觉。