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韩国人的催泪功力真是名不虚传。拍摄手法、叙事方式都与阿甘正传相似，那只蝴蝶更是致敬阿甘之笔。

We are all meant to shine, as children do. It is not just in some of us; it is in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.

天朝丛林的食物链里，不想做牲口，就做了animal。拖拉机上的圣母子像、破马车前的修女、火车头上的和谐号…贾樟柯总能从混沌漠然司空见惯中提取出荒诞，与光怪陆离的超现实感。片头的北野工作室字样，像是全剧的预告片。眼中有微博的就见微博，至少我从中见了中国，从这些人脸上见了众生，见了中国人。

My darling, my blood. A little confusing though, the film doesn't reveal the secret between Frankie and his daughter, and it's comforting to see him and Maggie fills the missing jigsaw puzzle for each other.

最近越查资料越回忆，越觉得21世纪10年代是个相当魔幻的时代。而这部电影最成功之处也就是表现出了那股魔幻劲儿。但也仅此而已了。每个故事都有虎头蛇尾之嫌，故事二尤甚。故事三里赵涛的演技太惊悚了。故事四更是感觉根本找错了重点。