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Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.

神造人造人造人弑神造物。生化人视角的上帝已死（人类不过是瑕疵品）（果然bgm必得配瓦格纳）。法鲨注视下异形有了林中鹿的感觉。异形仍然是系列大片中的最爱，当各种侠仍在党争，雷德利已经先向圣殿迈进。教吹箫太太太太懂。散场时一直在听恭迎圣驾太爽❁

情感 音乐 像生命一样有点快乐的悲伤

职场斗争题材，随着办公室宫斗的结束，新员工入职、老员工离开，最后镜头算有新意。整体可以一看。故事太弱，野心太大，剧情转折来得太快，人物间感情发展的铺垫又一片空白，却突然间彼此有了好感。汤唯的人设糟糕。音乐一般般，打油诗水准，走嘻哈路线还好，煽情片段略显尴尬。

直接把一场吵架摆上台面了，伯格曼可以说很懂和爱人吵架不如沉默的道理了。。看得人撕心裂肺的，在没有信仰庇护下，活得十分吃力，要抵抗的东西太多，身为翻译家又传达不了自己的内心。。。。涵养不平等的自卑，哇