I love Polanski. He's one of my favorite directors. Many of his movies are set in a confined space. Just a few characters and you tell the story. You're on a boat or you're in a house. In The Tenant, it's an apartment building.

这才是致青春 致迷茫未知愤怒漫无目的不知所措而又苟延残喘的青春

很明显的是，叙事文本有着冗余而不全面，奇观呈现有余而内在底蕴不足等诸多毛病，而对"生存状态的个体异化"的较完整主题呈现也由此基本落在了高超的导演调度上，划拉移旋，尽显能力。况且这更是波兰斯基的独角戏，果然是个敏感怪诞的苦逼。有趣的是，影片中突兀的李小龙功夫，或许才是怪房客的本质映射:其一映射内容，其二凝视影像自身

很有牯岭街的味道，不过比牯岭街要早

4.4 一個簡單的社區即社會，年長者的權利即世界，一切年輕皆摧殘。若不是自我的脆弱與不安又何苦受難？控訴那些沉默且暴力的人。